Some ghosts are mere annoyances or even benign, but all too many of them are dangerous, and a few are bent on causing The End of the World as We Know It.
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The setting note except for some Fan Films, a few episodes of the two animated series and Ghostbusters: Afterlife is modern day New York City, which has become overrun with supernatural creatures of every description. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.An enduringly popular Sci-Fi Horror/ Urban Fantasy/ Comedy franchise in which Mad Science takes on occult terror and wins, while hilarity (usually) ensues. Two Ghostbusters do a lot of smoking, often dangling a cigarette out of their mouths while trying to catch ghosts.
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Keep an eye out for two male characters who aggressively pursue women and cross professional and physical boundaries their behavior is played for laughs and even presented as romantic, at least for the main character. There's some strong language (including "s-t" a few times) and some sexually charged scenes, including one in which a character fantasizes briefly about a ghost giving him oral pleasure and another where a possessed woman writhes around and says "I want you inside me" to a male character, who laughs it off. The scariest part is probably the large dogs with glowing eyes that attack and possess two characters, though the now-dated special effects may not faze older kids. Parents need to know that Ghostbusters is an iconic '80s movie that mixes a ton of humor - some of the jokes holding up poorly over time - in with its story about catching scary ghosts and the possible end of the world. The film doesn't critique the harassment.ĭid you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide. Dana's neighbor follows her down the hallway to her apartment door, repeatedly asking her out and ignoring her polite declines she has to literally squeeze into her apartment and slam the door in his face. While she's unconscious, Peter puts her to bed and kisses her clothed chest before leaving. Dana is possessed and, without her consent, writhes, sensually bares her shoulders and leg, and makes sexual advances on Peter. A demi-god attacks with lightning bolts coming from her arms. A building crumbles pieces fall on a crowd below, who also almost get smashed by a 50-foot walking marshmallow. One has arms and grabs a character through a chair she screams as she's hurled through the room. Two characters are possessed by large dog-like creatures. Ghosts take over NYC, many scary-looking (with decomposing skeletal appearances and wicked grins). A hotel ballroom is destroyed, and another building explodes, with main characters running for their lives. Plenty of blasting from special ghost-busting lasers. Venkman still "gets the girl" as if Dana is a trophy to be won. Sexual harassment by two men in important roles, including main character Peter Venkman, is played for laughs. Most flagrant is the film's objectification of women, in one case a college student who is hit on by a male professor. Casual on-screen ableism - several disparaging remarks about people being "crazy" or "schizo" - is slightly offset by the knowledge that one of the film's writers and leading actors, Dan Aykroyd, is neurodivergent and has Tourette's. Fatphobia in the form of Slimer, a green ghost whose voracious appetite and rolls of fat are meant to incite disgust in viewers. Ernie Hudson's Winston Zeddemore does get hired as a Ghostbuster midway through the film and doesn't fall into stereotypes about Black men, but he has minimal dialogue.
No meaningful diversity, especially among speaking roles, despite setting in ultra-diverse NYC.
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